Furniture appraisal is a difficult topic to talk about, because there is still no complete theoretical system. For different furniture objects, there are different identification methods and different appraisal conclusions. If you do not judge the furniture identification against the real thing, it is empty.
To learn the identification of furniture, we should start from the history of learning furniture, understand the evolution of furniture from ancient times to the present, and grasp the style characteristics of furniture in each period. For example, Mr. Wang Shizhen’s furniture in Ming Dynasty Furniture is a Ming-style furniture, not all Ming Dynasty furniture, but also contains many Qing Dynasty furniture. Some people saw the furniture of the Qianlong period and thought it was the Ming Dynasty. There is a misunderstanding here, that is, I don’t understand the different styles of Ming Dynasty furniture and Qing Dynasty furniture, and I don’t understand the definition of Ming furniture.
Ming-style furniture is a piece of furniture that has the characteristics of the Ming Dynasty furniture style that was introduced to the Qianlong period. However, their large outlines are the same, and there are subtle differences in the local treatment methods, such as the difference in the curvature of the lines. Therefore, it is necessary to master the different styles of furniture in different periods, and it is possible to identify the age of furniture.
Identification is the behavior of judging the texture, historical value and artistic value of the object according to the conditions given by the object itself. It needs to be stated here that the value is not the same as the price, but conversely, it contains the price. For example, comparing the furniture of the Qing Dynasty with the furniture of the same material of the Republic of China, it is a chair of rosewood. The chair of the late Qing Dynasty has more historical value and artistic value than the chair of the Republic of China, which is more valuable.
Identification is generally divided into clear conditions and unclear or implicit potential conditions. The first is the material. Material is a very important and very clear condition. At the same time, it implies other conditions. Most of the furniture we saw in the Ming Dynasty was huanghuali. Conversely, most of the furniture of huanghuali is the furniture of the Ming Dynasty. But not all Huanghuali furniture is in the Ming Dynasty. Before the middle of the Qing Dynasty, there were many modern imitations. It depends on your grasp of the shape and decoration of the furniture in each period, in order to better judge.
The material of the furniture gives us an outline of the generation. Rosewood, huanghuali, wenge, ironwood, mahogany, nanmu, eucalyptus, etc., almost every material represents a time feature. For example, huanghuali wood is often used in the Ming Dynasty. The chairs, official hat chairs, and lamp hanging chairs are mostly made of Ming Dynasty huanghuali wood. The full-carved dragon-shaped cabinets, or the furniture that engraves the cumbersome sculpt, are made of rosewood, which is generally the same as Qianlong.
From the perspective of craftsmanship and ornamentation, we must first grasp the characteristics of the times. If you see the dragon hair rolling forward from the middle of the two corners, the dragon claws are round-shaped, which is the Ming Dynasty's ornamentation, crepe, and grass. First, it is characterized by Ming furniture. It is the characteristic of the furniture of the Qing Dynasty to see the pattern of the kidnapper, the Bogu pattern and the dragon claws.
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